home *** CD-ROM | disk | FTP | other *** search
- CINEMA, Page 72Into the Realm of Sigh-Fi
-
-
- By RICHARD CORLISS
-
- REGARDING HENRY
- Directed by Mike Nichols
- Screenplay by Jeffrey Abrams
-
-
- Nobody has a life anymore, Hollywood tells us, only an
- afterlife. By now you are familiar with all those transcendental
- rehab movies -- Ghost and its spectrally sentimental cousins --
- in which people return from the void to get a chance to say
- (What else?) "I love you." Audiences lose themselves in a teary
- mixture of awe and awww at these wistful fantasies, which now
- constitute an entire genre: sigh-fi.
-
- Regarding Henry, Mike Nichols' effective, infuriating new
- weepie, works a cunning variation on the born-again theme. It
- eliminates the middleman, Death, by subjecting Henry Turner
- (Harrison Ford) to a gunshot wound that erases his memory.
- Bang!, you're a new man. The old one needed some revision. That
- Henry was a slick Manhattan lawyer who misused his gifts to ruin
- innocent men and save venal corporations. Instructed by his chic
- wife (Annette Bening) to apologize to their 11-year-old daughter
- (Mikki Allen), Henry instead scolds the dear girl in Latin. The
- guy barely deserves to live, until he gets a chance to do it
- right, from scratch.
-
- After his injury, Henry must be taught everything over
- again, from how to walk to who he is. Ford, whose face assumes
- the agreeable befuddlement of Mortimer Snerd, plays Henry as an
- eager but slightly backward child. He returns to his posh Fifth
- Avenue apartment as if he had been consigned to a foster home.
- But because his teachers are kind and patient, he becomes a new
- man and determines to right the wrongs he committed in his
- earlier life. He is like a reformed Scrooge on a very long
- Christmas Day. He will buy his daughter a puppy and even become
- that most improbable creature, an honest lawyer.
-
- This is, recall, a fantasy, set in the old-fashioned movie
- Manhattan that is a beautiful place to be lost in. Nichols, as
- always, is terrific at suggesting worlds without words. The
- camera catches a glance from a pretty lawyer at Henry's firm,
- and we know in that instant that she has had an affair with the
- old, nasty Henry. But then the script insists that these
- epiphanies be spelled out in illuminated capital letters; and
- Nichols, a jaunty yachtsman of a director, must trawl through
- treacle. Strings swell at the merest emotion. And -- lordy! --
- dog-reaction shots! By the end, when the pooch trots into a
- school chapel, you may want the animal to pee on a pew.
-
- We bet that the picture will be a hit -- not because it is
- so smart about many small things but because it is so shameless
- in promoting its one big thing. Like the other sigh-fi movies,
- Regarding Henry says any mortal catastrophe offers an
- opportunity to erase the chalkboard mess we have made of our
- lives. We can make amends and have great sex too. By serving up
- comfy antidotes to illness and death, these movies provide a
- seductively meretricious form of release: New Age religion on
- the cheap. How like Hollywood to insist that the slogging drama
- of most people's lives is mere fodder for a better, more
- glamorous sequel.
-
-
-
-
-
-
-
-
-